CD – Creative Sources Recordings – CS427, Lisbon 2017
1. Incidental Projections - 25'28''
Ernesto Rodrigues - Viola
Reviews
[...] I don't have to wait long to discuss another release, though, as the string trio Incidental Projections (recorded at CreativeFest #10 last November) appeared at the same time. It also features a viola & two cellos, this time with Rodrigues & Mira joined by Fred Lonberg-Holm (there presumably because of his duo album The Pineapple Circumstances with guitarist Luis Lopes, released last year). Incidental Projections consists of a single track (and not an especially long one at 25 minutes), and has something of a different orientation, despite similarly applicable comments about middle voices & mixing acoustic timbres of bowing & plucking: It has a lot more presence, making it a bit more of a mainstream essay (not so unlike favorite New Dynamics in its style of interaction, albeit there with more richness of articulation). Perhaps this is also why the cover design is a little different for Creative Sources (although still credited to Carlos Santos). In any case, similar ensemble concerns are evident, despite that it has perhaps a hint of "rock" energy, particularly in its strong ending, & amid its fully audible & quickly alternating style. (The timbral variety isn't quite as rich as the Brand-Rupp string duo on last year's Shadowscores, though, which I mention because they have a new trio album with Rodrigues, Traintracks Roadsides Wastelands Debris, which I just missed in this batch, but will hear in the next month or so. These string albums are coming fast.) Since Incidental Projections was recorded prior to Xenon, it might have provided part of the inspiration for another viola-double cello ensemble, but Rodrigues makes so much music, it's hard to say. It does seem like a more spontaneous performance. 2 May 2017. Todd McComb's Jazz Thoughts
1. Incidental Projections - 25'28''
Ernesto Rodrigues - Viola
Fred Lonberg-Holm - Cello
Miguel Mira - Cello
Recorded November 2016, Lisbon
[...] I don't have to wait long to discuss another release, though, as the string trio Incidental Projections (recorded at CreativeFest #10 last November) appeared at the same time. It also features a viola & two cellos, this time with Rodrigues & Mira joined by Fred Lonberg-Holm (there presumably because of his duo album The Pineapple Circumstances with guitarist Luis Lopes, released last year). Incidental Projections consists of a single track (and not an especially long one at 25 minutes), and has something of a different orientation, despite similarly applicable comments about middle voices & mixing acoustic timbres of bowing & plucking: It has a lot more presence, making it a bit more of a mainstream essay (not so unlike favorite New Dynamics in its style of interaction, albeit there with more richness of articulation). Perhaps this is also why the cover design is a little different for Creative Sources (although still credited to Carlos Santos). In any case, similar ensemble concerns are evident, despite that it has perhaps a hint of "rock" energy, particularly in its strong ending, & amid its fully audible & quickly alternating style. (The timbral variety isn't quite as rich as the Brand-Rupp string duo on last year's Shadowscores, though, which I mention because they have a new trio album with Rodrigues, Traintracks Roadsides Wastelands Debris, which I just missed in this batch, but will hear in the next month or so. These string albums are coming fast.) Since Incidental Projections was recorded prior to Xenon, it might have provided part of the inspiration for another viola-double cello ensemble, but Rodrigues makes so much music, it's hard to say. It does seem like a more spontaneous performance. 2 May 2017. Todd McComb's Jazz Thoughts
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